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In Ticket Office: 310-781-7171     Business Office: (310) 378-8100     info@torrancearts.org     3330 Civic Center Dr., Torrance, CA 90503, Performing Arts and Shows in Torrance, California, Rick Schuler’s Rocky Mountain High Experience, Jon Armstrong – Magic Up Close – Virtual Magic Show Interview. Their program Embodying Climate Change is a repertory of works about climate change that includes Dead Reckoning, Uncertain Weather, and Unintended Consequences. ODC CO 108 Dirt . Topics: ODC Dance, Brenda Way, Private Freeman, Shannon Mitchell, Heather Tietsort. In 2010 she choreographed the ACT production of Scapin, and The Composer is Dead at Berkeley Repertory Theater. She has mentored the Margaret Jenkins' Chime Project and continues to mentor emerging artists in the Bay Area and abroad. She is the founder and artistic director of ODC/Dance and creator of the ODC Theater and ODC Dance Commons, community performance and training venues in San Francisco’s Mission District. She is a national spokesperson for dance, has been published widely, and has received numerous awards, including Isadora Duncan Dance Awards for both choreography and sustained achievement, and has enjoyed 40 years of support from the National Endowment for the Arts. ODC/Dance, Brenda Way/KT Nelson, Apprentice Dancer, Year-Year River North Dance Chicago, Frank Chaves, Summer Apprentice (Performed), Year Wellspring/Cori Terry and Dancers, Cori Terry, Guest Performer, Year-Year Mar 21, 2017 03/17. The expoturt of Jan danoa Ite e If hat tterted many Cal Poly ttudentt into a dance career. Brenda Taylor, a tpaach major at Cal Poly, had had little dance experience before Jackaoo'ijan date. The ability to watch these amazing performers in an intimate setting was truly a moving experience. The dance company ODC/San Francisco, formerly Oberlin Dance Collective, will return to its Oberlin roots for a performance and panel discussion with the Dance department on Nov. 4. Brenda Way received her early training at the School of American Ballet and Ballet Arts in New York City. In 2012 she created new work for Western Michigan University as part of their Great Works Dance Project. ODC Announces New Health Initiatives Program Director Rachel Abair. Brenda Way, born Brenda Bolte, began studying dance as a young girl. ODC relocated to San Francisco in 1976 and in 1979 became the first modern dance company in America to build its own facility, from which it still operates. In 2009 ODC/Dance was selected by BAM to tour Brenda Way's work internationally under the aegis of the U.S. State Department’s inaugural DanceMotion USA tour. Attended numerous master classes (Joe Goode, Brenda Way, Karl Shaffer, Eric Stern, John Pennington, Sharon Marks, Nolan Dennett, Joan Lazarus, Liz Lerman, Elisa Clark, Christian von Howard, Leah Cox, Robbie Cook) In 2008, her work RingRounRozi, in collaboration with French-Canadian composer Linda Bouchard, was selected to be performed at the Tanzmesse International Dance Festival. In 2009 Nelson was one of three artists selected for Austin Ballet’s New American Talent Competition. She is the founder and artistic director of ODC/Dance and creator of the ODC Theater and ODC Dance Commons, community performance and training venues in San Francisco’s Mission District. Uninterested in trying to repurpose the choreography for the camera, Brenda wants to see what the camera can see, “skin, facial expressions, connections, people in a personal way … Over the last 25 years, KT has played a major role in defining and implementing ODC's on-going and project-based outreach programs. View Brenda Way’s profile on LinkedIn, the world’s largest professional community. As I am fond of saying… “I appreciate dance, but I don’t always understand it.” So, I thought I would chat with someone who might help to understand this often underappreciated art form. She is an alumna of Leadership SF and holds a BA from San Francisco State University. Excerpt of "Walk Back the Cat" rehearsal. She is a national spokesperson for dance, has been published widely, and has received numerous awards, including Isadora Duncan Dance Awards for both choreography and sustained achievement, and has enjoyed 40 years of support from the National Endowment for the Arts. In true San Francisco fashion, choreographer Brenda Way brought her fledgling dance company from Oberlin College in Ohio to San Francisco on a yellow school bus in 1976. The ODC Theater in San Francisco was born 40 years ago in a moment of crisis that feels all too close to home today. Brenda Way holds a Ph.D. in aesthetics and is the mother of four children. KT choreographed and directed the Company's first full-length family ballet in 1986, The Velveteen Rabbit, which has since been performed annually in the Bay Area as an ODC/Dance holiday production. With Waving Not Drowning (A Guide to Elegance), choreographer Brenda Way offered audiences dainty needle pricks, while KT Nelson’s Labor of Love cut to the bone. In this episode of #TOCABackstage, Christian Wolf sat down with Brenda Way, Choreographer and Founder of ODC Dance! Brenda Way, Actress: Firm: Cross Trainers - Firm Cardio. DURING A RESIDENCY at the American Academy in Rome, ODC’s Founder and Artistic Director Brenda Way remarked on the way early Romans conceived of the future, not by looking forward but by facing the past. movies. What work do you do? While at the museum she also oversaw business development, guest experience, and the museum's robust volunteer program. Coming from Oberlin College, where her budding dance company had no … In this meditation on permanence and decay by Bay Area-based choreographers Brenda Way and KT Nelson, the dancers of ODC/Dance leap and glide through the geologic evocations of RJ Muna’s cinematic mise-en-scène. Joining the premiere of News of the World was last year’s What we carry What we keep , presented at Yerba Buena Center for the Arts in a conventional theatre setup; the audience watching from a distance. She is a 2000 recipient of the John Simon Guggenheim Fellowship. Ghosts of an Old Ceremony by Brenda Way Topics: ODC Dance, Brenda Way, Western Women. KT has been awarded the Isadora Duncan Dance Award four times: in 1987 for Outstanding Performance, in 1996 and 2012 for Outstanding Choreography, and in 2001 for Sustained Achievement. To me, that was the point that I truly began to appreciate dance. I founded ODC (originally the Oberlin Dance Collective) 35 years ago as a multidimensional arts organization — that is to say, not just for dance … by Brenda Way/ODC Dance. Yerba Buena Center • San Francisco • March 12–28, 2010 • Reviewed by Rita Felciano. ODC Dance. ODCʹs Brenda Way GRADE RANGES K‐12 & Post‐secondary CURRICULUM CONNECTIONS Visual Arts & Language Arts STORY SYNOPSIS With more than 70 modern dance pieces to her name, Brenda Way has earned a reputation as one of the most important choreographers of her time. Carma Zisman recently served as Director of Institutional Advancement at The Walt Disney Family Museum, where she set strategy for and directed the museum's comprehensive fundraising efforts, membership programs, and marketing and communications. In 2009 ODC/Dance was selected by BAM to tour Brenda Way’s work internationally under the aegis of the U.S. State Department’s inaugural DanceMotion USA tour. 115 115. Some years ago, when I was working for the city of Brea, managing their intimate 199 seat Curtis Theatre, I had the pleasure of presenting Brenda’s ODC Dance. by Brenda Way/ODC Dance. ODC/Dance. Her commissions include Unintended Consequences: A Meditation (2008) Equal Justice Society; Life is a House (2008) San Francisco Girls Chorus; On a Train Heading South (2005) CSU Monterey Bay; Remnants of Song (2002) Stanford Lively Arts; Scissors Paper Stone (1994) Alvin Ailey American Dance Theater; Western Women (1993) Cal Performances, Rutgers University and Jacob’s Pillow; Ghosts of an Old Ceremony (1991) Walker Art Center and The Minnesota Orchestra; Krazy Kat (1990) San Francisco Ballet; This Point in Time (1987) Oakland Ballet; Tamina (1986) San Francisco Performances; and Invisible Cities (1985) Stanford Lively Arts and the Robotics Research Laboratory. movies. Her commissions include Unintended Consequences: A Meditation (2008) Equal Justice Society; Life is a House (2008) San Francisco Girls Chorus; On a Train Heading South (2005) CSU Monterey Bay; Remnants of Song (2002) Stanford Lively Arts; Scissors Paper Stone (1994) Alvin Ailey American Dance Theater; Western Women (1993) Cal Performances, Rutgers University and Jacob's Pillow; Ghosts of an Old Ceremony (1991) Walker Art Center and The Minnesota Orchestra; Krazy Kat (1990) San Francisco Ballet; This Point in Time (1987) Oakland Ballet; Tamina (1986) San Francisco Performances; and Invisible Cities (1985) Stanford Lively Arts and the Robotics Research Laboratory. Kimi Okada is a founding member of ODC. She has been honored with a California State Legislature Assembly Resolution for choreographic and community contributions. ODC, formerly the Oberlin Dance Collective, is a contemporary dance and arts organization founded in 1971 by current artistic director Brenda Way. In 2009, she was the first choreographer to be a Resident of the Arts at the American Academy in Rome, and in 2012, she received the Helen Crocker Russell Award for Community Leadership from the SF Foundation. As a capstone rises to top the imposing monument, a group of lithe bodies emerges from behind the screen. ODC is a dance company founded by Brenda Way. She is the founder and artistic director of ODC/Dance and creator of the ODC Theater and ODC Dance Commons, community performance and training venues in San Francisco’s Mission District. Activity name Activity number Open First Meeting or Date Description Location Fee and Action; n/a Primera Generación Dance Collective, Riverside, California. Drinks and discussion at 5:15 p.m., followed by the live stream at 6 p.m. Friday, March 19. eye 65 favorite 0 comment 0 Her work Investigating Grace was named an NEA American Masterpiece in 2011. Brenda Way. She also directs ODC's teen company, the Dance Jam. Her mother, Bonnie Bolte, ran a small dance studio in Greenwich, Conn. By the time Brenda was 9, … Created by artistic director Brenda Way and co-artistic director KT Nelson, The Invention of Wings and Dead Reckoning were as sleek and beautifully staged as we’ve come to expect from these veteran dance makers, now in their fifth decade of leading the company. She choreographed the First Voice production of Mu, an evening length theater/dance/music piece which premiered at the SF Jewish Community Center in 2013. Attended several American College Dance Association conferences. Since founding the company in 1971, Brenda Way, along with co-artistic director KT Nelson, has created a self-sustaining model that's still going strong almost five decades later. Recent Dance Guest Artists Victor Alexander Director, Ruth Page School of Dance Laura Alonso General Her work includes more than 26 choreographed works for ODC/Dance, as well as commissions and collaborations with Geoff Hoyle, Bill Irwin, Julie Taymor, and Robin Williams. In Brenda Way, Founder and Co-Artistic Director of ODC/Dance about the New York Premiere of boulders and bones at BAM, "When collaborating with other art forms, you have to be ready to simplify your own and be comfortable with letting other … With four female resident choreographers—Brenda Way, KT Nelson, Kimi Okada, and Kate Weare—this contemporary dance company is widely recognized for its rigorous technique, full-throttle partnering, interdisciplinary collaboration, and musical commissions. eye 115 favorite 0 comment 0 Attended several CDEA conferences. Brenda Way received her early training at the School of American Ballet and Ballet Arts in New York City. She is a 2000 recipient of the John Simon Guggenheim Fellowship. Brenda Way received her early training at the School of American Ballet and Ballet Arts in New York City. Brenda has 1 job listed on their profile. Brenda Way, artistic director of ODC, looking summery on this Friday morning despite a bandaged ankle (nothing serious, routine dancer injury), met me in the foyer and took me on a tour. Brenda Way is an actress, known for Firm: Cross Trainers - Firm Cardio (2001), Artists in Exile: A Story of Modern Dance in San Francisco (2000) and The Firm: Total Body - Total Body Shaping Mix (2000). Her work Investigating Grace was named an NEA American Masterpiece in 2011. Now the it dancing profaeeionaliy with Jaokaon't troupe the American Dancer*. Feb 22, 2017 02/17. In addition to her work as a choreographer, Nelson served on the Zellerbach Community Arts Panel from 2005 to 2011, ran the summer dance department for Center for Creative Youth at Wesleyan University 2003-2006, and founded the ODC Dance Jam in 1997. “I feel like I’ve been shot out of a cannon,” said Brenda Way, artistic director and founder of the San Francisco-based ODC dance company. Brenda Way received her early training at the School of American Ballet and Ballet Arts in New York City. As an independent consultant and in various roles at Stanford Jazz Workshop, the Amador County Arts Council and the Labor Archives, Zisman has worked collaboratively and successfully with artists, educators, business and operational teams, entrepreneurial leaders, and community members. She has choreographed productions for the American Conservatory Theater of San Francisco, Yale Repertory Theater, the New Victory Theater in New York, the Children’s Theater Company in Minneapolis, Theatre for a New Audience in New York, Berkeley Repertory Theatre, the American Music Theater Festival, the Santa Fe Opera, Los Angeles Music Center Opera, Los Angeles Theatre Center, the Pickle Family Circus, and the San Francisco Mime Troupe. Brenda has choreographed more than 85 pieces over the last 45 years. She Intend* to puraue her dance career experience of my Way noted “in Latin we see the turn of phrase: ‘Turn around to see what’s coming next.’ I have always thought of artists as being the vivid front edge of the past. Dance Magazine spoke to Way ahead of the company's performances at the Brooklyn Academy of Music this week to pick her brain on how she's done it. She was nominated for a Tony Award for the Broadway production of Largely New York, which she co-choreographed with Bill Irwin. Her collaborators have included Bobby McFerrin, Geoff Hoyle, Shinichi Iova-Koga, Max Chen, Zap Mama, and Joan Jeanrenaud. Dance Guest Artists School of Theatre and Dance | The School of Theatre and Dance regularly hosts guest artists in-person and virtually through master classes, in-class presentations, residencies, a guest artist series such as the Armstrong Family Visiting Artist Series. ODC comprises ODC/Dance, its contemporary dance company, ODC Theater, and ODC School, which provides classes and training for youth, teen, and adult dancers. Brenda has choreographed more than 85 pieces over the last 45 years. 315 likes. Previously she served as the Vice President of Development at the World Affairs Council of Northern California, and prior to that, as Development Director of the College of Liberal & Creative Arts at San Francisco State University. Five weeks later, ODC has returned with its second Dance Around Town event, an evening of work by Founder and Artistic Director Brenda Way. She is the founder and artistic director of ODC/Dance and creator of the ODC Theater and ODC Dance Commons, community performance and training venues in San Francisco’s Mission District. Founded in 1971 by Artistic Director Brenda Way, ODC/Dance was one of the first American companies to incorporate a post-modern sensibility (an appreciation for pedestrian movement) into a virtuosic contemporary dance technique and to commit major resources to interdisciplinary collaboration and musical commissions for the repertory. ODC Dance. “Sometimes you don’t really know the weight you’re carrying around until it’s lifted. She launched ODC and an inter-arts department at Oberlin College and Conservatory of Music in the late 1960’s before relocating to the Bay Area in 1976. Dancers and choreographers need them in spades — and so do dance companies. ODC/Dance presents “Drinks & a Dance”: Features the 2010 work “World’s on Fire,” by Brenda Way and Kate Weare, and beverages from Stubbs Vineyard. Original score by Paul Dresher. She is the founder and artistic director of ODC/Dance and creator of the ODC Theater and ODC Dance Commons, community performance and training venues in San Francisco’s Mission District. Spread over two buildings, the Dance Commons comprises eight large, bright dance studios; each packed to the rafters at the moment we passed by. Brenda Way received her early training at the School of American Ballet and Ballet Arts in New York City. Janet Klein – TOCA Backstage and TOCA To Go. jau dance. Since 1996, Kimi has served as director of the ODC School, which she has brought to the forefront of international and national dance education for youth and adults. KT Nelson joined ODC/Dance in 1976 and partners with Brenda Way to direct the ODC/Dance Company. The Review spoke with Brenda Way, OC ’66, who helped found the group in 1971 and continues to work as its artistic director today. 2156 Sierra Way, Suite A, San Luis Obispo, CA 93401 805 781-5910 530 Traffic way, Arroyo Grande, CA 95420 805 473-7090 1734 Paso Robles Street, Paso Robles, CA 93446 805 237-3090 Sraff Agriculrurol Commissioner/Sealer of Weights and Measures Richard D. Greek Assisranr Agriculrurol Commissioner Robert r. Lilley In 2009, she was the first choreographer to be a Resident of the Arts at the American Academy in Rome, and in 2012, she received the Helen Crocker Russell Award for Community Leadership from the SF Foundation. ODC CO 73 The Plane of Change . 65 65. Mission Founded by Brenda Way in 1971, ODC is unique for its fully integrated arts vision and its complex and far-reaching impact. She launched ODC and an inter-arts department at Oberlin College and Conservatory of Music in the late 1960's before relocating to the Bay Area in 1976. Way, 64, who founded the company now known as ODC/Dance 36 years ago, has been uncannily prescient in what she's asked her audiences to consider.

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